from Wednesday, July13th of the year2011.
A few months ago it was the Royal Opera who were ruffling musical feathers with their wonderfully outrageous assessment of modern mores and contemporary malaise as seen through the bizarre life of Anna Nicole Smith. Now it’s the English National Opera’s turn, with a dark and undoubtedly controversial probe into the cyberworld and the murkier […]
—David Gillard,
The Daily Mail
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from Wednesday, July13th of the year2011.
LONDON — The Internet is a vast repository of music, but has it created any of note? The speak-singing of “You’ve got mail”? The jangle of an instant message? They don’t really cut it as art. Enter the young composer Nico Muhly’s opera “Two Boys,” which had its world premiere at the English National Opera […]
—Zachary Woolfe,
The New York Times
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from Monday, July11th of the year2011.
You would have had to be deaf and blind — or perhaps just a very wise monkey — not to have been aware that a young American composer called Nico Muhly was about to open at the English National Opera in London last night with a work called Two Boys. Since late last year, it […]
—Sue Loder,
Opera Today
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from Monday, July11th of the year2011.
Nico Muhly’s first opera may have its origins in a true story from Manchester in 2003, but, as presented in Craig Lucas’s libretto, Two Boys seems far removed from any kind of hard-edged reality. Commissioned by the Metropolitan Opera in New York, but being trialled by English National Opera, the opera unfolds the whole rather […]
—Andrew Clements,
The Guardian
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from Monday, July11th of the year2011.
Nico Muhly’s opera Two Boys, an exploration of the internet’s impact on communications as depicted in the tragic story of two teenagers, opened at English National Opera on Friday. The story, loosely based on real events which took place in a Northern British industrial city, sees two boys become intertwined in a dark web world […]
—Martin Cullingford,
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from Monday, July11th of the year2011.
A teenage stabbing, internet chatrooms and cybersexual predators: Nico Muhly’s Two Boys has all the ingredients of social malaise that promise to make a copybook opera for our times. For those who believe opera should engage with contemporary issues, Muhly’s work, to a libretto by Craig Lucas, ticks most of the boxes. Loosely based on […]
—Barry Millington,
London Evening Standard
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from Monday, July11th of the year2011.
Reality blurred by fantasy, teen sexuality, Internet chatrooms, a murky murder plot — it’s not a new HBO drama, it’s the disquieting and absorbing first opera from composer Nico Muhly. The John Adams-esque minimalism-meets-romanticism score of “Two Boys” has immediate appeal, rare in new opera, but for all the smart handling of contempo themes, the […]
—DAVID BENEDICT,
Variety
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from Monday, July11th of the year2011.
LONDON: Based on a true story: A teenager stabs a younger boy outside a shopping mall in an English suburb. A lonely detective unravels a series of fake identities and Internet intrigues, gradually obsessing more and more over the case. The latest HBO crime drama? CSI: Manchester? Not quite. It’s the young composer Nico Muhly’s […]
—William Robin,
The Washington Post
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from Monday, July11th of the year2011.
If the film “The Social Network” lifted the veil on the ingenuity and intrigue behind Internet networking, the opera “Two Boys” which had its premiere on Friday focuses on what it’s like to be trapped inside the web. Over the span of 110 minutes, American composer Nico Muhly and librettist Craig Lucas take the audience […]
—Michael Roddy,
Reuters
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from Monday, July11th of the year2011.
Having worked in film, pop and classical music, Muhly is one of the most versatile and exciting talents in music today, which is why he was chosen by the English National Opera and New York’s Metropolitan Opera House to collaborate with the writer Craig Lucas on this work which had its world premiere in London […]
—William Hartston,
Express
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