The Only Tune<\/em> was written for Sam Amidon<\/a>, a singer and instrumentalist (guitar, banjo, drum) trained in the tradition of American folk music. <\/a>The “Two Sisters”\u009d murder ballad, upon which The Only Tune<\/em> is based, is an old and widely disseminated invention of the folk tradition, with close relatives across Northern Europe and America.<\/p>\n
What most of these songs have in common is this musical necromancy, fashioning a dead body into a musical instrument. Muhly uses the morbid tableau as a metaphor for the acts of violence and dissection inherent in any folk-song arrangement: The Only Tune<\/em> is split into three distinct sections, each introduced by a turbulent and chaotic prelude. The harmony is embroidered with strange dissonances. Even the lyrics are dismembered and rebuilt, with a nod to the process-driven text setting of minimalist music. – Program Notes \u00c2\u00a9 2007 Daniel Johnson<\/a><\/p>\n
Credits<\/strong>
\nSam Amidon<\/a>: banjo, guitar, vocals; Valgeir Sigur\u00f0sson: knives, electronics; Ben Frost<\/a>: Frost-bass programming, hair;
\nSigr\u00c3\u00ad\u00c3\u00b0ur Sunna Reynisd\u00f3ttir: hair; Nadia Sirota<\/a>: viola<\/p>\n
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\nSam Amidon rehearsing The Only Tune<\/em> in Zankel Hall, March, 2007<\/small><\/p>\n
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\nNico & Ben after negotiating the bass sounds, Reykjav\u00edk<\/small><\/p>\n