{"id":43,"date":"2007-05-15T09:46:48","date_gmt":"2007-05-15T14:46:48","guid":{"rendered":"http:\/\/nicomuhly.com\/projects\/2007\/keep-in-touch\/"},"modified":"2007-05-16T16:01:33","modified_gmt":"2007-05-16T21:01:33","slug":"keep-in-touch","status":"publish","type":"post","link":"https:\/\/nicomuhly.com\/projects\/2007\/keep-in-touch\/","title":{"rendered":"Keep in Touch"},"content":{"rendered":"
Keep in Touch<\/em> is a lament, a sort of chaconne divided up into sections by more freely-composed cadenzas for the viola. But the chaconne, a musical form based around a repeated cycle of chords, is not only the domain of composers like Bach and Purcell”\u201done is as likely to hear the form on a Nina Simone record, and Antony Hegarty, the bluesily androgynous vocalist we hear in the electronic component of this piece, is a performer from the Simone school.<\/p>\n Every dimension of the piece accentuates what Muhly calls the “in-betweenness”\u009d of these two strange voices: Antony’s singing and the equally sweet falsetto of the viola. The solo part, with its bow-scrapes and awkward passagework, affectionately emphasises the instrument’s flaws, its unevennesses of tone, and its idiosyncratic character as the neglected middle child of the fiddle family. (Even the percussion on the electronic track is constructed from the little noises a violist usually makes only by accident.) And Antony’s voice, so stately on his own records, is here reduced to abrupt, extemporaneous gestures”\u201dmirroring, not alleviating, the viola’s isolation. – Program Notes \u00c2\u00a9 2007 Daniel Johnson<\/a><\/p>\n Performance Notes<\/strong> Because it is usually cumbersome for the violist to trigger the tape start in bar 46 herself, an assistant and\/or engineer should be on hand.<\/p>\n Additional Program Note<\/strong> Keep in Touch<\/em> is recorded on Bedroom Community Hvalur 001<\/a> (Nico Muhly Speaks Volumes<\/em>).<\/p>\n[audio:07 Keep In Touch Excerpt.mp3]\n <\/a> <\/a> <\/a> Keep in Touch<\/em> is a lament, a sort of chaconne divided up into sections by more freely-composed cadenzas for the viola. <\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,13],"tags":[],"_links":{"self":[{"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/posts\/43"}],"collection":[{"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/comments?post=43"}],"version-history":[{"count":0,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/posts\/43\/revisions"}],"wp:attachment":[{"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/media?parent=43"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/categories?post=43"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/tags?post=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nIt is important that the viola be lightly amplified in order to achieve a good balance with the pre-recorded materials. Although the best results have been with a microphone clipped to the bridge, anything to subtly boost the viola’s volume is appropriate provided that both the viola and the pre-recorded elements come out of the same speakers.<\/p>\n
\nThe complete title of this work is Keep in Touch (Three Missed Calls for Holy Week)<\/em>. The title should only be listed in a program as such if it is performed during Lent; during other times of the year, Keep in Touch<\/em> is sufficient.<\/p>\n
\nNadia playing Keep in Touch<\/em> in Reykjav\u00edk in October, 2006.<\/small><\/p>\n
\nRecording Keep In Touch<\/em> at the Looking Glass Studios<\/a> in April 2005, with Valgeir reflected in the control room window.<\/small><\/p>\n","protected":false},"excerpt":{"rendered":"