{"id":3884,"date":"2013-06-06T14:25:33","date_gmt":"2013-06-06T19:25:33","guid":{"rendered":"http:\/\/nicomuhly.com\/?p=3884"},"modified":"2013-06-06T14:35:39","modified_gmt":"2013-06-06T19:35:39","slug":"three-e%cc%81tudes-for-viola","status":"publish","type":"post","link":"https:\/\/nicomuhly.com\/projects\/2013\/three-e%cc%81tudes-for-viola\/","title":{"rendered":"Three Etudes for Viola"},"content":{"rendered":"

These three etudes may be performed in any order, all together, or singularly.<\/p>\n

The pre-recorded material for these e?tudes should be mixed in such a way that the viola rides in the middle of the texture. Etude 2, however, should favor the solo viola. While we have had successful performances with the tape coming from a PA and the viola unamplified, the ideal scenario has the viola closely amplified with a clip-on microphone, such as the DPA 4099V, or similar.<\/p>\n

E?tudes 1 and 1a require a metronomic relationship to the pulse, whereas Etude 2 requires a more flexible approach.
\nThese Etudes were written for my friend Nadia Sirota. They are designed as performance pieces as well as practice e?tudes for dealing with the messy fifth-based string crossings my harmonic language sometimes outlines. Etudes 1 and 1A also concern themselves with the messy business of grand pause rests, or silences, in the context of highly rhythmic music.<\/p>\n

The pre-recorded material was engineered and produced by Dan Bora, and is available through St Rose Music Publishers or Chester-Novello. Recordings of Etudes 1 and 1a are available on Nadia Sirota’s First Things First (New Amsterdam), E?tude 2 is recorded under the alternate title Varied Titles (Bedroom Community\/ Decca) and E?tude 3 is available on Nadia Sirota’s Baroque (Bedroom Community).<\/p>\n","protected":false},"excerpt":{"rendered":"

These three etudes may be performed in any order, all together, or singularly. The pre-recorded material for these e?tudes should be mixed in such a way that the viola rides in the middle of the texture. Etude 2, however, should favor the solo viola. While we have had successful performances with the tape coming from […]<\/p>\n","protected":false},"author":26,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,13],"tags":[],"_links":{"self":[{"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/posts\/3884"}],"collection":[{"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/comments?post=3884"}],"version-history":[{"count":8,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/posts\/3884\/revisions"}],"predecessor-version":[{"id":3892,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/posts\/3884\/revisions\/3892"}],"wp:attachment":[{"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/media?parent=3884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/categories?post=3884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/tags?post=3884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}