{"id":2970,"date":"2011-07-11T13:27:31","date_gmt":"2011-07-11T18:27:31","guid":{"rendered":"http:\/\/nicomuhly.com\/?p=2970"},"modified":"2011-07-13T08:40:16","modified_gmt":"2011-07-13T13:40:16","slug":"two-boys-eno","status":"publish","type":"post","link":"https:\/\/nicomuhly.com\/press\/2011\/two-boys-eno\/","title":{"rendered":"Two Boys, ENO"},"content":{"rendered":"

You would have had to be deaf and blind \u2014 or perhaps just a very wise monkey \u2014 not to have been aware that a young American composer called Nico Muhly was about to open at the English National Opera in London last night with a work called Two Boys.<\/em><\/p>\n

Since late last year, it seems that the personable and obviously multi-talented Muhly has been (pardon the allusion) pushed down our throats from every media-angle, and by too many London hacks anxious to maintain their street-cred in Twitter-land. This kind of media blitz is obviously a two-edged sledgehammer: if the show bombs then everybody looks somewhat foolish, if it achieves critical and\/or box-office success (I suspect the latter in this case) then we\u2019ll probably get bombarded again all too soon with the next wonder-kid of modern music. Ah well.<\/p>\n

Mary Bevan<\/p>\n

At the world premiere of Two Boys last night, (cleverly being opened here and not at its co-pro alma mater of the Met) you would have been forgiven for thinking that you had missed the date and wandered into London Fashion Week. Everyone who had read all the supplements, all the tweets, all the blogs and listened to the podcasts \u2014 or even just came on spec because everyone else said they should \u2014 was there. It was achingly hip. Never mind \u2014 we all want opera extending its audience so why not? It probably swelled the coffers of the ENO champagne bar.<\/p>\n

So how was it? Well, perhaps one should score it in TV Talent Show style and take it from there:
\nStory: 6\/10, Music: 6\/10, Production: 6\/10……..you get the idea I expect. Singers? Definitely 8\/10, if only for commitment to the work, vocal characterisation, and damn good acting within the limits of the production.<\/p>\n

Craig Lucas has written a libretto that is based on a true news story of some years ago about two boys, internet chat rooms, assumed identities and attempted murder and this story \u2014 slight as it is in dramatic terms \u2014 worked to a point. What was lacking was any depth of characterisation, any motivations or emotional developments to give the piece structure. Maybe that was part of the plan: certainly the waves of music that swirled and pulsed and counterpointed the long articulated lines of speech\/song didn\u2019t suggest much in the way of dramatic development or journey. Muhly\u2019s work is difficult to describe; his music is like high-class mood-music, or perhaps those compositions carefully constructed and \u201cwritten to picture\u201d for an expensive nature documentary. It doesn\u2019t challenge the listener, nor does it repel \u2014 but I doubt it delighted or surprised many either.<\/p>\n

Susan Bickley and Nicky Spence<\/p>\n

The singers were universally good: the core of the story lies with the investigating police officer played by Susan Bickley (does she ever disappoint?) who has demons of her own to confront as a stranger in the strange land of her suspect\u2019s virtual world of net friends. Her diction was excellent and character well-drawn. That suspect, who we know as \u201cBrian\u201d, is sung by young tenor Nicky Spence with a tremendous empathy for this pathetic, unintelligent, bullied young man who\u2019s flashes of desperate anger at his uncomprehending parents just reinforce his weakness and lack of self esteem. <\/p>\n

That excellent work was matched by the amazingly confident performance of boy treble Joseph Beesley \u2014 one just hopes that the calculated evil inherent in his character doesn\u2019t leave too much of a shadow. The many supporting roles were equally well presented and sung without a single unhappy choice \u2014 and singers and orchestra (under Rumon Gamba) seemed well-rehearsed and remarkably slick considering this was a first night of an entirely new work.<\/p>\n

On the production side, a few good ideas were made much of but could have been given more emphasis \u2014 the video backdrops of world-wide internet \u201cchatting\u201d \u2014 words repeating, and reappearing, and often mirroring the actual sung words. Some of the best dramatic moments came with the chorus spread around and above the stage suggesting the vast numbers of internet chatters communicating endlessly and pointlessly from their sad individual bedrooms. The graphic video work was good \u2014 but again could have been so much more; in fact the whole production just felt as if it were treading far too carefully, too \u201cnicely\u201d and was afraid of upsetting anyone. All a bit anodyne, in essence. Perhaps they will push the boat out a bit more for its New York premiere? Somehow, I doubt it.<\/p>\n","protected":false},"excerpt":{"rendered":"

You would have had to be deaf and blind \u2014 or perhaps just a very wise monkey \u2014 not to have been aware that a young American composer called Nico Muhly was about to open at the English National Opera in London last night with a work called Two Boys. Since late last year, it […]<\/p>\n","protected":false},"author":26,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,17],"tags":[],"_links":{"self":[{"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/posts\/2970"}],"collection":[{"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/comments?post=2970"}],"version-history":[{"count":6,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/posts\/2970\/revisions"}],"predecessor-version":[{"id":2972,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/posts\/2970\/revisions\/2972"}],"wp:attachment":[{"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/media?parent=2970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/categories?post=2970"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nicomuhly.com\/wp-json\/wp\/v2\/tags?post=2970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}