So I totally lost my mind the other day. I had about seven thousand things going on; I had written more music in 2 months than I had in the previous year, my mother was moving to town for a month, there was mild puppy-related chaos in the home, and I had a mild sleep disorder. Magically, a weekend opened up, and I booked a flight and a hotel in Las Vegas. Goals: recharging the batteries through cultural vapidity. Going to a place with a million empty signifiers is always enormously relaxing for me; CNN, RAI1, Univision, wall-to-wall carpeting, buffets: it’s all very soothing. So! Off to Vegas I went. I decided, because it seemed meet and right so to do, to see the Cirque du Soleil show called K\u00e0<\/em> that was directed by Robert Lepage, who did the new Ring<\/em> cycle at the Met, which I really liked (at least the Rhinegold<\/em>, which is the only one open at this time.)<\/p>\n
Now, K\u00e0<\/em> has, like, a $2579 million budget or something crazy, and they serve 32 oz. margaritas right there, with cupholders, so I was like, table for two! Girl. This show is amazing. Acrobatics, flying, falling, this unbelievable stage, the sense of infinity below<\/strong> a stage, which is really hard to achieve. But you will never, in your entire life, hear worse music ever. <\/a>This shit is like, racist, fucked up, synthesized, terribly mixed, disastrous. It’s like those Qu\u00e9becois munchkins from Willow<\/em> got a beta version of Garage Band, drank some maple schnapps, and went to town while watching Tampopo<\/em>. I was shock. There was, on stage, a plot-element wherein some kind of children had a flute which they played, and the flute itself was synthesized! And not just synthesized; we’re talking 1992 General MIDI shakuhachi, and one thinks to oneself, for however many millions of dollars, you can’t do better than this? Send me $2,000 and I promise you, I will fix at least<\/em> that part of it in 72 hours. It was really galling given how gorgeously rendered the stagecraft was; I don’t think I have ever seen any technology so elegantly merged with moving bodies on a stage, but then to have this pan flute from digital hell…<\/p>\n
<\/a>I should also say, though, that there is this amazing film-within-a-film in Harry Potter that tells an important story that is, I think, the most gorgeous thing I have seen on a screen in a while. It’s paper shadow-puppetry, but not Indonesian; it feels quite European in its shapes, and folksy without being Kuntry Kitchen, and completely appropriate for the film while maintaining a really tactile and individual profile. It’s made by a firm called Framestore<\/a>
<\/a>whose logo and website are too awful for me to properly continue exploring who they might be, but I think they might be Swiss? I mean, really, how can you make so beautiful a video and have that be your logo? What is this, a ransom note? People are crazy.<\/p>\n
Whatever. I’m going to listen to Russian Orthodox Music and pretend it’s all fine.<\/p>\n
[audio:Blessed.mp3]
\nThou Art Blessed, O Lord
\nChesnokov 2nd Requiem
\nCantus Sacred Music Ensemble<\/a><\/small><\/p>\n","protected":false},"excerpt":{"rendered":"