{"id":2468,"date":"2010-12-17T11:46:47","date_gmt":"2010-12-17T16:46:47","guid":{"rendered":"http:\/\/nicomuhly.com\/?p=2468"},"modified":"2010-12-17T11:53:53","modified_gmt":"2010-12-17T16:53:53","slug":"your-face-and-hair","status":"publish","type":"post","link":"https:\/\/nicomuhly.com\/news\/2010\/your-face-and-hair\/","title":{"rendered":"Your Face and Hair"},"content":{"rendered":"
This last two months has been, without any doubt, the most productive \u2014 just in terms of the physical number of minutes of music written \u2014 such period in my life. It’s been exciting! I took on a few projects with very quick turnaround times, which is to say, not planning three concert seasons in advance. There are those things too, but it was fun to work on things that will be played in the same month of their completion. I wrote a Christmas carol for Tewkesbury Abbey, a piece for eighth blackbird with voices up in it, and an Advent carol for the combined choirs of Jesus College, Cambridge. Very satisfying. One of the best ways to combat all the yammering about the War on Christmas<\/a> is by reminding everybody that it is, in fact, Advent, which, liturgically, is an infinitely more exciting period than the 12-day long thing that Christmas actually is. In this spirit, I wrote a set of seven organ preludes for Westminster Abbey based on the great “O” Antiphons for Advent. They are happening Sunday<\/a>; everybody go. <\/p>\n eighth blackbird<\/a> are so good, I love them so much. But it makes me insane the lower-case-ness. Why are people still on this? Where does it end? I hosted a show on Q2<\/a> for the New York Philharmonic’s CONTACT! series, and between the title of the series, and every other piece having nonsensical lowercase letters, I was in a serious typographical crisis by the end of the day. Was I meant to point out the fact that things were lower-case? Does it matter? Composers: can we call a halt to the lowercase titles?<\/p>\n