One of my favorite weird things is the incredibly abbreviated biographies that some venues make for shows.\u00a0 Usually, an un-named and un-introduced PR department is responsible, and, as a result, you encounter a bunch of really silly shorthand versions of what it is that might actually happen on stage.\u00a0 Last night’s example, from Hamburg, is pretty amazing:<\/p>\n
D<\/span>id everybody read or at least process this silly fight <\/a>online? \u00a0Drew McManus summarizes:<\/p>\n
If you aren\u2019t aware of what\u2019s going on here\u2019s the 10 second synopsis: Mac Donald wrote an article titled\u00a0Classical Music\u2019s New Golden Age<\/em><\/a> (meaning now) but Sandow didn\u2019t like what she had to say so he wrote 5,413 words (most of which were entirely unflattering) over five articles to explain why. Shortly thereafter, Mac Donald fired back with a scathing retort\u2026In most online debates, the respective authors are polite and happy to examine differences in opinion but from Sandow\u2019s initial volley, it was clear that this wasn\u2019t going to be a good-natured \u201cagree to disagree\u201d dispute. On a simplistic level the argument pits the \u201cprophets of doom\u201d (as\u00a0coined<\/a> by Sam Bergman) against those with more of a upbeat outlook, with Sandow spearheading the former and Mac Donald characterizing the latter.<\/p><\/blockquote>\n
We had a few hours off in Berlin yesterday and we ran to the Pergamon Museum,<\/a> which I love; I saw it with my grandparents as a kid and it’s got an entire Greek temple and a ton of Babylonian things and a hallway of stelae, who doesn’t love a hallway of stelae? \u00a0There’s a little exhibit about something that I always find very unsettling, which is historically-informed recreations of Greek statues with their original paint scheme. \u00a0This, for some reason, freaks me out, and I should imagine a lot of others: one of the things I love so much about antiquity as it is (or has been) presented is the cool austerity of the greys and beiges. \u00a0But:<\/p>\n
There something a little Henrik Vibskov about the whole thing:<\/p>\n