I have no idea how to describe the strangeness of this song cycle; in true modern fashion, it started as a blog on the New York Times, consisting of paintings and text by Maira Kalman<\/a>. Maira, a longtime friend and hero of mine, asked me to set all of the questions she asked on the blog over the course of a year. I set all the questions, as well as her entire melancholic entry for the month of February. The ensemble that made the most sense at the time was solo counter-tenor, violin, cello, piano, and banjo.<\/p>\n