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	<title>Nico Muhly &#187; Piano</title>
	<atom:link href="http://nicomuhly.com/projects/piano/feed/" rel="self" type="application/rss+xml" />
	<link>http://nicomuhly.com</link>
	<description>The official website of the New York-based composer Nico Muhly.</description>
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		<title>Pillaging Music</title>
		<link>http://nicomuhly.com/projects/2007/pillaging-music/</link>
		<comments>http://nicomuhly.com/projects/2007/pillaging-music/#comments</comments>
		<pubDate>Wed, 16 May 2007 03:03:23 +0000</pubDate>
		<dc:creator>Nico</dc:creator>
				<category><![CDATA[Percussion]]></category>
		<category><![CDATA[Piano]]></category>
		<category><![CDATA[Projects]]></category>
		<category><![CDATA[Solo]]></category>

		<guid isPermaLink="false">http://nicomuhly.com/projects/2007/pillaging-music/</guid>
		<description><![CDATA[Muhly names Pierre Boulez as the inspiration for Pillaging Music, and it's easy to hear the influence of pieces like Sur-incises and RÃ©pons on this metallic piano/percussion texture, with its wild, electronic antiphony. But where Boulez's music wears, self-consciously, the sheen of the new, Pillaging Music has been painstakingly distressed. The percussion is complemented by [...]]]></description>
			<content:encoded><![CDATA[Muhly names Pierre Boulez as the inspiration for <em>Pillaging Music</em>, and it's easy to hear the influence of pieces like <em>Sur-incises</em> and <em>RÃ©pons</em> on this metallic piano/percussion texture<!--more-->, with its wild, electronic antiphony.  But where Boulez's music wears, self-consciously, the sheen of the new, Pillaging Music has been painstakingly distressed.  The percussion is complemented by a battery of found instruments, household objects chosen to approximate the pitches of the other instruments without matching them exactly.  And the tape component was edited (by the composer and Valgeir Sigurðsson) with an ear-popping ruthlessness.  More obviously, where Boulez's convulsive rhythms and atonal harmonies reject the familiar, inhabitable spaces of classical music"”"He takes the gargoyles," composer Ned Rorem complained after hearing <em>RÃ©pons</em>, "and leaves the cathedral""”Muhly is willfully humane, pushing the drama of his tonal language across the threshold of camp.  The aggression is ritualised, mitigated by an excess of style.  A hushed, reverent interlude demonstrates that Muhly could never leave the cathedral too far behind, before the instruments literally race"”Nancarrow-like"”to the piece's rhythmically virtuosic conclusion. - Notes Â© 2007 by <a href="http://bedroomcommunity.net/Site/danieljohnson.html">Daniel Johnson</a>

<em>Pillaging Music</em> is recorded on <a href="http://bedroomcommunity.net/Site/speaksvolumes.html">Bedroom Community Hvalur 001</a> (Nico Muhly <em>Speaks Volumes</em>).

[audio:05 Pillaging Music Excerpt.mp3]
<a href="http://www.szsolomon.com">Sam Solomon</a>, percussion
Nico Muhly, keyboards

<a href='http://nicomuhly.com/wp-content/uploads/2007/05/laugh-pillage.jpg' title='laugh-pillage.jpg'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/laugh-pillage.thumbnail.jpg' alt='laugh-pillage.jpg' /></a>

<small>Nico & Sam during <em>Pillaging Music</em> rehearsal, Zankel Hall, 2007 </small>

<a href='http://nicomuhly.com/wp-content/uploads/2007/05/recording-pillaging.jpg' title='recording-pillaging.jpg'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/recording-pillaging.thumbnail.jpg' alt='recording-pillaging.jpg' /></a>

<small>Sam recording <em>Pillaging Music</em> in Brooklyn, 2006</small>

<a href='http://nicomuhly.com/wp-content/uploads/2007/05/pillaging-rotterdam.jpg' title='Nico & Valgeir, Pillaging Music, Rotterdam'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/pillaging-rotterdam.thumbnail.jpg' alt='Nico & Valgeir, Pillaging Music, Rotterdam' /></a>

<small>Nico & Valgeir playing <em>Pillaging Music</em> in Rotterdam, April, 2007</small>]]></content:encoded>
			<wfw:commentRss>http://nicomuhly.com/projects/2007/pillaging-music/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Three Études for Piano</title>
		<link>http://nicomuhly.com/projects/2007/three-etudes-for-piano/</link>
		<comments>http://nicomuhly.com/projects/2007/three-etudes-for-piano/#comments</comments>
		<pubDate>Wed, 16 May 2007 02:29:14 +0000</pubDate>
		<dc:creator>Nico</dc:creator>
				<category><![CDATA[Piano]]></category>
		<category><![CDATA[Projects]]></category>

		<guid isPermaLink="false">http://nicomuhly.com/projects/2007/three-etudes-for-piano/</guid>
		<description><![CDATA[1. Ostinati 2. Quiet Music 3. Running In preparation for writing a large (uncompleted) work for piano, I decided to write three short pieces to get certain musical tics out of my system. Each of these three eÌtudes addresses a specific rhythmic and harmonic gesture: the first, Ostinati, focuses on a gently lilting left hand [...]]]></description>
			<content:encoded><![CDATA[<!--more--><ol>
1. Ostinati
2. Quiet Music
3. Running</ol>


In preparation for writing a large (uncompleted) work for piano, I decided to write three short pieces to get  certain musical tics out of my system.  Each of these three eÌtudes addresses a specific rhythmic  and harmonic gesture: the first, <em>Ostinati</em>, focuses on a gently lilting left hand contrasted with angular outbursts in the right hand, usually in octaves.  The second eÌtude, "Quiet Music," concerns  itself with drones and chant-like music, and the third, "Running," explores slowly shifting  harmonies pitted against very fast cross-hand playing. These three eÌtudes were written from January "” March 2003 and were composed partially for performance in the VisionIntoArt / RockHotelPianoFest in New York City.  <a href='http://nicomuhly.com/wp-content/uploads/2007/05/quiet-music_1.jpg' title='quiet-music_1.jpg'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/quiet-music_1.thumbnail.jpg' alt='quiet-music_1.jpg' class="right" /> </a>These three eÌtudes were written from January "” March 2003 and were composed partially for performance in the VisionIntoArt RockHotelPianoFest in New York City. EÌtude #3 ("Running") These three eÌtudes were written from January "” March 2003 and were composed partially for was premiered by Eric Huebner and is dedicated to him.  

<em>Quiet Music</em> is recorded on <a href="http://bedroomcommunity.net/Site/speaksvolumes.html">Bedroom Community Hvalur 001</a> (Nico Muhly <em>Speaks Volumes</em>).]]></content:encoded>
			<wfw:commentRss>http://nicomuhly.com/projects/2007/three-etudes-for-piano/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>A Hudson Cycle</title>
	<atom:link href="http://nicomuhly.com/projects/piano/feed/" rel="self" type="application/rss+xml" />
	<link>http://nicomuhly.com</link>
	<description>The official website of the New York-based composer Nico Muhly.</description>
	<lastBuildDate>Wed, 29 Sep 2010 00:30:56 +0000</lastBuildDate>
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		<item>
		<title>Nico Muhly &#187; Piano</title>
	<atom:link href="http://nicomuhly.com/projects/piano/feed/" rel="self" type="application/rss+xml" />
	<link>http://nicomuhly.com</link>
	<description>The official website of the New York-based composer Nico Muhly.</description>
	<lastBuildDate>Wed, 29 Sep 2010 00:30:56 +0000</lastBuildDate>
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		<item>
		<title>Pillaging Music</title>
		<link>http://nicomuhly.com/projects/2007/pillaging-music/</link>
		<comments>http://nicomuhly.com/projects/2007/pillaging-music/#comments</comments>
		<pubDate>Wed, 16 May 2007 03:03:23 +0000</pubDate>
		<dc:creator>Nico</dc:creator>
				<category><![CDATA[Percussion]]></category>
		<category><![CDATA[Piano]]></category>
		<category><![CDATA[Projects]]></category>
		<category><![CDATA[Solo]]></category>

		<guid isPermaLink="false">http://nicomuhly.com/projects/2007/pillaging-music/</guid>
		<description><![CDATA[Muhly names Pierre Boulez as the inspiration for Pillaging Music, and it's easy to hear the influence of pieces like Sur-incises and RÃ©pons on this metallic piano/percussion texture, with its wild, electronic antiphony. But where Boulez's music wears, self-consciously, the sheen of the new, Pillaging Music has been painstakingly distressed. The percussion is complemented by [...]]]></description>
			<content:encoded><![CDATA[Muhly names Pierre Boulez as the inspiration for <em>Pillaging Music</em>, and it's easy to hear the influence of pieces like <em>Sur-incises</em> and <em>RÃ©pons</em> on this metallic piano/percussion texture<!--more-->, with its wild, electronic antiphony.  But where Boulez's music wears, self-consciously, the sheen of the new, Pillaging Music has been painstakingly distressed.  The percussion is complemented by a battery of found instruments, household objects chosen to approximate the pitches of the other instruments without matching them exactly.  And the tape component was edited (by the composer and Valgeir Sigurðsson) with an ear-popping ruthlessness.  More obviously, where Boulez's convulsive rhythms and atonal harmonies reject the familiar, inhabitable spaces of classical music"”"He takes the gargoyles," composer Ned Rorem complained after hearing <em>RÃ©pons</em>, "and leaves the cathedral""”Muhly is willfully humane, pushing the drama of his tonal language across the threshold of camp.  The aggression is ritualised, mitigated by an excess of style.  A hushed, reverent interlude demonstrates that Muhly could never leave the cathedral too far behind, before the instruments literally race"”Nancarrow-like"”to the piece's rhythmically virtuosic conclusion. - Notes Â© 2007 by <a href="http://bedroomcommunity.net/Site/danieljohnson.html">Daniel Johnson</a>

<em>Pillaging Music</em> is recorded on <a href="http://bedroomcommunity.net/Site/speaksvolumes.html">Bedroom Community Hvalur 001</a> (Nico Muhly <em>Speaks Volumes</em>).

[audio:05 Pillaging Music Excerpt.mp3]
<a href="http://www.szsolomon.com">Sam Solomon</a>, percussion
Nico Muhly, keyboards

<a href='http://nicomuhly.com/wp-content/uploads/2007/05/laugh-pillage.jpg' title='laugh-pillage.jpg'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/laugh-pillage.thumbnail.jpg' alt='laugh-pillage.jpg' /></a>

<small>Nico & Sam during <em>Pillaging Music</em> rehearsal, Zankel Hall, 2007 </small>

<a href='http://nicomuhly.com/wp-content/uploads/2007/05/recording-pillaging.jpg' title='recording-pillaging.jpg'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/recording-pillaging.thumbnail.jpg' alt='recording-pillaging.jpg' /></a>

<small>Sam recording <em>Pillaging Music</em> in Brooklyn, 2006</small>

<a href='http://nicomuhly.com/wp-content/uploads/2007/05/pillaging-rotterdam.jpg' title='Nico & Valgeir, Pillaging Music, Rotterdam'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/pillaging-rotterdam.thumbnail.jpg' alt='Nico & Valgeir, Pillaging Music, Rotterdam' /></a>

<small>Nico & Valgeir playing <em>Pillaging Music</em> in Rotterdam, April, 2007</small>]]></content:encoded>
			<wfw:commentRss>http://nicomuhly.com/projects/2007/pillaging-music/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Three Études for Piano</title>
		<link>http://nicomuhly.com/projects/2007/three-etudes-for-piano/</link>
		<comments>http://nicomuhly.com/projects/2007/three-etudes-for-piano/#comments</comments>
		<pubDate>Wed, 16 May 2007 02:29:14 +0000</pubDate>
		<dc:creator>Nico</dc:creator>
				<category><![CDATA[Piano]]></category>
		<category><![CDATA[Projects]]></category>

		<guid isPermaLink="false">http://nicomuhly.com/projects/2007/three-etudes-for-piano/</guid>
		<description><![CDATA[1. Ostinati 2. Quiet Music 3. Running In preparation for writing a large (uncompleted) work for piano, I decided to write three short pieces to get certain musical tics out of my system. Each of these three eÌtudes addresses a specific rhythmic and harmonic gesture: the first, Ostinati, focuses on a gently lilting left hand [...]]]></description>
			<content:encoded><![CDATA[<!--more--><ol>
1. Ostinati
2. Quiet Music
3. Running</ol>


In preparation for writing a large (uncompleted) work for piano, I decided to write three short pieces to get  certain musical tics out of my system.  Each of these three eÌtudes addresses a specific rhythmic  and harmonic gesture: the first, <em>Ostinati</em>, focuses on a gently lilting left hand contrasted with angular outbursts in the right hand, usually in octaves.  The second eÌtude, "Quiet Music," concerns  itself with drones and chant-like music, and the third, "Running," explores slowly shifting  harmonies pitted against very fast cross-hand playing. These three eÌtudes were written from January "” March 2003 and were composed partially for performance in the VisionIntoArt / RockHotelPianoFest in New York City.  <a href='http://nicomuhly.com/wp-content/uploads/2007/05/quiet-music_1.jpg' title='quiet-music_1.jpg'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/quiet-music_1.thumbnail.jpg' alt='quiet-music_1.jpg' class="right" /> </a>These three eÌtudes were written from January "” March 2003 and were composed partially for performance in the VisionIntoArt RockHotelPianoFest in New York City. EÌtude #3 ("Running") These three eÌtudes were written from January "” March 2003 and were composed partially for was premiered by Eric Huebner and is dedicated to him.  

<em>Quiet Music</em> is recorded on <a href="http://bedroomcommunity.net/Site/speaksvolumes.html">Bedroom Community Hvalur 001</a> (Nico Muhly <em>Speaks Volumes</em>).]]></content:encoded>
			<wfw:commentRss>http://nicomuhly.com/projects/2007/three-etudes-for-piano/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>A Hudson Cycle</title>
		<link>http://nicomuhly.com/projects/2007/pillaging-music/</link>
		<comments>http://nicomuhly.com/projects/2007/pillaging-music/#comments</comments>
		<pubDate>Wed, 16 May 2007 03:03:23 +0000</pubDate>
		<dc:creator>Nico</dc:creator>
				<category><![CDATA[Percussion]]></category>
		<category><![CDATA[Piano]]></category>
		<category><![CDATA[Projects]]></category>
		<category><![CDATA[Solo]]></category>

		<guid isPermaLink="false">http://nicomuhly.com/projects/2007/pillaging-music/</guid>
		<description><![CDATA[Muhly names Pierre Boulez as the inspiration for Pillaging Music, and it's easy to hear the influence of pieces like Sur-incises and RÃ©pons on this metallic piano/percussion texture, with its wild, electronic antiphony. But where Boulez's music wears, self-consciously, the sheen of the new, Pillaging Music has been painstakingly distressed. The percussion is complemented by [...]]]></description>
			<content:encoded><![CDATA[Muhly names Pierre Boulez as the inspiration for <em>Pillaging Music</em>, and it's easy to hear the influence of pieces like <em>Sur-incises</em> and <em>RÃ©pons</em> on this metallic piano/percussion texture<!--more-->, with its wild, electronic antiphony.  But where Boulez's music wears, self-consciously, the sheen of the new, Pillaging Music has been painstakingly distressed.  The percussion is complemented by a battery of found instruments, household objects chosen to approximate the pitches of the other instruments without matching them exactly.  And the tape component was edited (by the composer and Valgeir Sigurðsson) with an ear-popping ruthlessness.  More obviously, where Boulez's convulsive rhythms and atonal harmonies reject the familiar, inhabitable spaces of classical music"”"He takes the gargoyles," composer Ned Rorem complained after hearing <em>RÃ©pons</em>, "and leaves the cathedral""”Muhly is willfully humane, pushing the drama of his tonal language across the threshold of camp.  The aggression is ritualised, mitigated by an excess of style.  A hushed, reverent interlude demonstrates that Muhly could never leave the cathedral too far behind, before the instruments literally race"”Nancarrow-like"”to the piece's rhythmically virtuosic conclusion. - Notes Â© 2007 by <a href="http://bedroomcommunity.net/Site/danieljohnson.html">Daniel Johnson</a>

<em>Pillaging Music</em> is recorded on <a href="http://bedroomcommunity.net/Site/speaksvolumes.html">Bedroom Community Hvalur 001</a> (Nico Muhly <em>Speaks Volumes</em>).

[audio:05 Pillaging Music Excerpt.mp3]
<a href="http://www.szsolomon.com">Sam Solomon</a>, percussion
Nico Muhly, keyboards

<a href='http://nicomuhly.com/wp-content/uploads/2007/05/laugh-pillage.jpg' title='laugh-pillage.jpg'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/laugh-pillage.thumbnail.jpg' alt='laugh-pillage.jpg' /></a>

<small>Nico & Sam during <em>Pillaging Music</em> rehearsal, Zankel Hall, 2007 </small>

<a href='http://nicomuhly.com/wp-content/uploads/2007/05/recording-pillaging.jpg' title='recording-pillaging.jpg'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/recording-pillaging.thumbnail.jpg' alt='recording-pillaging.jpg' /></a>

<small>Sam recording <em>Pillaging Music</em> in Brooklyn, 2006</small>

<a href='http://nicomuhly.com/wp-content/uploads/2007/05/pillaging-rotterdam.jpg' title='Nico & Valgeir, Pillaging Music, Rotterdam'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/pillaging-rotterdam.thumbnail.jpg' alt='Nico & Valgeir, Pillaging Music, Rotterdam' /></a>

<small>Nico & Valgeir playing <em>Pillaging Music</em> in Rotterdam, April, 2007</small>]]></content:encoded>
			<wfw:commentRss>http://nicomuhly.com/projects/2007/pillaging-music/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Nico Muhly &#187; Piano</title>
	<atom:link href="http://nicomuhly.com/projects/piano/feed/" rel="self" type="application/rss+xml" />
	<link>http://nicomuhly.com</link>
	<description>The official website of the New York-based composer Nico Muhly.</description>
	<lastBuildDate>Wed, 29 Sep 2010 00:30:56 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.1</generator>
		<item>
		<title>Pillaging Music</title>
		<link>http://nicomuhly.com/projects/2007/pillaging-music/</link>
		<comments>http://nicomuhly.com/projects/2007/pillaging-music/#comments</comments>
		<pubDate>Wed, 16 May 2007 03:03:23 +0000</pubDate>
		<dc:creator>Nico</dc:creator>
				<category><![CDATA[Percussion]]></category>
		<category><![CDATA[Piano]]></category>
		<category><![CDATA[Projects]]></category>
		<category><![CDATA[Solo]]></category>

		<guid isPermaLink="false">http://nicomuhly.com/projects/2007/pillaging-music/</guid>
		<description><![CDATA[Muhly names Pierre Boulez as the inspiration for Pillaging Music, and it's easy to hear the influence of pieces like Sur-incises and RÃ©pons on this metallic piano/percussion texture, with its wild, electronic antiphony. But where Boulez's music wears, self-consciously, the sheen of the new, Pillaging Music has been painstakingly distressed. The percussion is complemented by [...]]]></description>
			<content:encoded><![CDATA[Muhly names Pierre Boulez as the inspiration for <em>Pillaging Music</em>, and it's easy to hear the influence of pieces like <em>Sur-incises</em> and <em>RÃ©pons</em> on this metallic piano/percussion texture<!--more-->, with its wild, electronic antiphony.  But where Boulez's music wears, self-consciously, the sheen of the new, Pillaging Music has been painstakingly distressed.  The percussion is complemented by a battery of found instruments, household objects chosen to approximate the pitches of the other instruments without matching them exactly.  And the tape component was edited (by the composer and Valgeir Sigurðsson) with an ear-popping ruthlessness.  More obviously, where Boulez's convulsive rhythms and atonal harmonies reject the familiar, inhabitable spaces of classical music"”"He takes the gargoyles," composer Ned Rorem complained after hearing <em>RÃ©pons</em>, "and leaves the cathedral""”Muhly is willfully humane, pushing the drama of his tonal language across the threshold of camp.  The aggression is ritualised, mitigated by an excess of style.  A hushed, reverent interlude demonstrates that Muhly could never leave the cathedral too far behind, before the instruments literally race"”Nancarrow-like"”to the piece's rhythmically virtuosic conclusion. - Notes Â© 2007 by <a href="http://bedroomcommunity.net/Site/danieljohnson.html">Daniel Johnson</a>

<em>Pillaging Music</em> is recorded on <a href="http://bedroomcommunity.net/Site/speaksvolumes.html">Bedroom Community Hvalur 001</a> (Nico Muhly <em>Speaks Volumes</em>).

[audio:05 Pillaging Music Excerpt.mp3]
<a href="http://www.szsolomon.com">Sam Solomon</a>, percussion
Nico Muhly, keyboards

<a href='http://nicomuhly.com/wp-content/uploads/2007/05/laugh-pillage.jpg' title='laugh-pillage.jpg'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/laugh-pillage.thumbnail.jpg' alt='laugh-pillage.jpg' /></a>

<small>Nico & Sam during <em>Pillaging Music</em> rehearsal, Zankel Hall, 2007 </small>

<a href='http://nicomuhly.com/wp-content/uploads/2007/05/recording-pillaging.jpg' title='recording-pillaging.jpg'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/recording-pillaging.thumbnail.jpg' alt='recording-pillaging.jpg' /></a>

<small>Sam recording <em>Pillaging Music</em> in Brooklyn, 2006</small>

<a href='http://nicomuhly.com/wp-content/uploads/2007/05/pillaging-rotterdam.jpg' title='Nico & Valgeir, Pillaging Music, Rotterdam'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/pillaging-rotterdam.thumbnail.jpg' alt='Nico & Valgeir, Pillaging Music, Rotterdam' /></a>

<small>Nico & Valgeir playing <em>Pillaging Music</em> in Rotterdam, April, 2007</small>]]></content:encoded>
			<wfw:commentRss>http://nicomuhly.com/projects/2007/pillaging-music/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Three Études for Piano</title>
		<link>http://nicomuhly.com/projects/2007/three-etudes-for-piano/</link>
		<comments>http://nicomuhly.com/projects/2007/three-etudes-for-piano/#comments</comments>
		<pubDate>Wed, 16 May 2007 02:29:14 +0000</pubDate>
		<dc:creator>Nico</dc:creator>
				<category><![CDATA[Piano]]></category>
		<category><![CDATA[Projects]]></category>

		<guid isPermaLink="false">http://nicomuhly.com/projects/2007/three-etudes-for-piano/</guid>
		<description><![CDATA[1. Ostinati 2. Quiet Music 3. Running In preparation for writing a large (uncompleted) work for piano, I decided to write three short pieces to get certain musical tics out of my system. Each of these three eÌtudes addresses a specific rhythmic and harmonic gesture: the first, Ostinati, focuses on a gently lilting left hand [...]]]></description>
			<content:encoded><![CDATA[<!--more--><ol>
1. Ostinati
2. Quiet Music
3. Running</ol>


In preparation for writing a large (uncompleted) work for piano, I decided to write three short pieces to get  certain musical tics out of my system.  Each of these three eÌtudes addresses a specific rhythmic  and harmonic gesture: the first, <em>Ostinati</em>, focuses on a gently lilting left hand contrasted with angular outbursts in the right hand, usually in octaves.  The second eÌtude, "Quiet Music," concerns  itself with drones and chant-like music, and the third, "Running," explores slowly shifting  harmonies pitted against very fast cross-hand playing. These three eÌtudes were written from January "” March 2003 and were composed partially for performance in the VisionIntoArt / RockHotelPianoFest in New York City.  <a href='http://nicomuhly.com/wp-content/uploads/2007/05/quiet-music_1.jpg' title='quiet-music_1.jpg'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/quiet-music_1.thumbnail.jpg' alt='quiet-music_1.jpg' class="right" /> </a>These three eÌtudes were written from January "” March 2003 and were composed partially for performance in the VisionIntoArt RockHotelPianoFest in New York City. EÌtude #3 ("Running") These three eÌtudes were written from January "” March 2003 and were composed partially for was premiered by Eric Huebner and is dedicated to him.  

<em>Quiet Music</em> is recorded on <a href="http://bedroomcommunity.net/Site/speaksvolumes.html">Bedroom Community Hvalur 001</a> (Nico Muhly <em>Speaks Volumes</em>).]]></content:encoded>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>A Hudson Cycle</title>
		<link>http://nicomuhly.com/projects/2007/three-etudes-for-piano/</link>
		<comments>http://nicomuhly.com/projects/2007/three-etudes-for-piano/#comments</comments>
		<pubDate>Wed, 16 May 2007 02:29:14 +0000</pubDate>
		<dc:creator>Nico</dc:creator>
				<category><![CDATA[Piano]]></category>
		<category><![CDATA[Projects]]></category>

		<guid isPermaLink="false">http://nicomuhly.com/projects/2007/three-etudes-for-piano/</guid>
		<description><![CDATA[1. Ostinati 2. Quiet Music 3. Running In preparation for writing a large (uncompleted) work for piano, I decided to write three short pieces to get certain musical tics out of my system. Each of these three eÌtudes addresses a specific rhythmic and harmonic gesture: the first, Ostinati, focuses on a gently lilting left hand [...]]]></description>
			<content:encoded><![CDATA[<!--more--><ol>
1. Ostinati
2. Quiet Music
3. Running</ol>


In preparation for writing a large (uncompleted) work for piano, I decided to write three short pieces to get  certain musical tics out of my system.  Each of these three eÌtudes addresses a specific rhythmic  and harmonic gesture: the first, <em>Ostinati</em>, focuses on a gently lilting left hand contrasted with angular outbursts in the right hand, usually in octaves.  The second eÌtude, "Quiet Music," concerns  itself with drones and chant-like music, and the third, "Running," explores slowly shifting  harmonies pitted against very fast cross-hand playing. These three eÌtudes were written from January "” March 2003 and were composed partially for performance in the VisionIntoArt / RockHotelPianoFest in New York City.  <a href='http://nicomuhly.com/wp-content/uploads/2007/05/quiet-music_1.jpg' title='quiet-music_1.jpg'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/quiet-music_1.thumbnail.jpg' alt='quiet-music_1.jpg' class="right" /> </a>These three eÌtudes were written from January "” March 2003 and were composed partially for performance in the VisionIntoArt RockHotelPianoFest in New York City. EÌtude #3 ("Running") These three eÌtudes were written from January "” March 2003 and were composed partially for was premiered by Eric Huebner and is dedicated to him.  

<em>Quiet Music</em> is recorded on <a href="http://bedroomcommunity.net/Site/speaksvolumes.html">Bedroom Community Hvalur 001</a> (Nico Muhly <em>Speaks Volumes</em>).]]></content:encoded>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Nico Muhly &#187; Piano</title>
	<atom:link href="http://nicomuhly.com/projects/piano/feed/" rel="self" type="application/rss+xml" />
	<link>http://nicomuhly.com</link>
	<description>The official website of the New York-based composer Nico Muhly.</description>
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		<title>Pillaging Music</title>
		<link>http://nicomuhly.com/projects/2007/pillaging-music/</link>
		<comments>http://nicomuhly.com/projects/2007/pillaging-music/#comments</comments>
		<pubDate>Wed, 16 May 2007 03:03:23 +0000</pubDate>
		<dc:creator>Nico</dc:creator>
				<category><![CDATA[Percussion]]></category>
		<category><![CDATA[Piano]]></category>
		<category><![CDATA[Projects]]></category>
		<category><![CDATA[Solo]]></category>

		<guid isPermaLink="false">http://nicomuhly.com/projects/2007/pillaging-music/</guid>
		<description><![CDATA[Muhly names Pierre Boulez as the inspiration for Pillaging Music, and it's easy to hear the influence of pieces like Sur-incises and RÃ©pons on this metallic piano/percussion texture, with its wild, electronic antiphony. But where Boulez's music wears, self-consciously, the sheen of the new, Pillaging Music has been painstakingly distressed. The percussion is complemented by [...]]]></description>
			<content:encoded><![CDATA[Muhly names Pierre Boulez as the inspiration for <em>Pillaging Music</em>, and it's easy to hear the influence of pieces like <em>Sur-incises</em> and <em>RÃ©pons</em> on this metallic piano/percussion texture<!--more-->, with its wild, electronic antiphony.  But where Boulez's music wears, self-consciously, the sheen of the new, Pillaging Music has been painstakingly distressed.  The percussion is complemented by a battery of found instruments, household objects chosen to approximate the pitches of the other instruments without matching them exactly.  And the tape component was edited (by the composer and Valgeir Sigurðsson) with an ear-popping ruthlessness.  More obviously, where Boulez's convulsive rhythms and atonal harmonies reject the familiar, inhabitable spaces of classical music"”"He takes the gargoyles," composer Ned Rorem complained after hearing <em>RÃ©pons</em>, "and leaves the cathedral""”Muhly is willfully humane, pushing the drama of his tonal language across the threshold of camp.  The aggression is ritualised, mitigated by an excess of style.  A hushed, reverent interlude demonstrates that Muhly could never leave the cathedral too far behind, before the instruments literally race"”Nancarrow-like"”to the piece's rhythmically virtuosic conclusion. - Notes Â© 2007 by <a href="http://bedroomcommunity.net/Site/danieljohnson.html">Daniel Johnson</a>

<em>Pillaging Music</em> is recorded on <a href="http://bedroomcommunity.net/Site/speaksvolumes.html">Bedroom Community Hvalur 001</a> (Nico Muhly <em>Speaks Volumes</em>).

[audio:05 Pillaging Music Excerpt.mp3]
<a href="http://www.szsolomon.com">Sam Solomon</a>, percussion
Nico Muhly, keyboards

<a href='http://nicomuhly.com/wp-content/uploads/2007/05/laugh-pillage.jpg' title='laugh-pillage.jpg'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/laugh-pillage.thumbnail.jpg' alt='laugh-pillage.jpg' /></a>

<small>Nico & Sam during <em>Pillaging Music</em> rehearsal, Zankel Hall, 2007 </small>

<a href='http://nicomuhly.com/wp-content/uploads/2007/05/recording-pillaging.jpg' title='recording-pillaging.jpg'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/recording-pillaging.thumbnail.jpg' alt='recording-pillaging.jpg' /></a>

<small>Sam recording <em>Pillaging Music</em> in Brooklyn, 2006</small>

<a href='http://nicomuhly.com/wp-content/uploads/2007/05/pillaging-rotterdam.jpg' title='Nico & Valgeir, Pillaging Music, Rotterdam'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/pillaging-rotterdam.thumbnail.jpg' alt='Nico & Valgeir, Pillaging Music, Rotterdam' /></a>

<small>Nico & Valgeir playing <em>Pillaging Music</em> in Rotterdam, April, 2007</small>]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Three Études for Piano</title>
		<link>http://nicomuhly.com/projects/2007/three-etudes-for-piano/</link>
		<comments>http://nicomuhly.com/projects/2007/three-etudes-for-piano/#comments</comments>
		<pubDate>Wed, 16 May 2007 02:29:14 +0000</pubDate>
		<dc:creator>Nico</dc:creator>
				<category><![CDATA[Piano]]></category>
		<category><![CDATA[Projects]]></category>

		<guid isPermaLink="false">http://nicomuhly.com/projects/2007/three-etudes-for-piano/</guid>
		<description><![CDATA[1. Ostinati 2. Quiet Music 3. Running In preparation for writing a large (uncompleted) work for piano, I decided to write three short pieces to get certain musical tics out of my system. Each of these three eÌtudes addresses a specific rhythmic and harmonic gesture: the first, Ostinati, focuses on a gently lilting left hand [...]]]></description>
			<content:encoded><![CDATA[<!--more--><ol>
1. Ostinati
2. Quiet Music
3. Running</ol>


In preparation for writing a large (uncompleted) work for piano, I decided to write three short pieces to get  certain musical tics out of my system.  Each of these three eÌtudes addresses a specific rhythmic  and harmonic gesture: the first, <em>Ostinati</em>, focuses on a gently lilting left hand contrasted with angular outbursts in the right hand, usually in octaves.  The second eÌtude, "Quiet Music," concerns  itself with drones and chant-like music, and the third, "Running," explores slowly shifting  harmonies pitted against very fast cross-hand playing. These three eÌtudes were written from January "” March 2003 and were composed partially for performance in the VisionIntoArt / RockHotelPianoFest in New York City.  <a href='http://nicomuhly.com/wp-content/uploads/2007/05/quiet-music_1.jpg' title='quiet-music_1.jpg'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/quiet-music_1.thumbnail.jpg' alt='quiet-music_1.jpg' class="right" /> </a>These three eÌtudes were written from January "” March 2003 and were composed partially for performance in the VisionIntoArt RockHotelPianoFest in New York City. EÌtude #3 ("Running") These three eÌtudes were written from January "” March 2003 and were composed partially for was premiered by Eric Huebner and is dedicated to him.  

<em>Quiet Music</em> is recorded on <a href="http://bedroomcommunity.net/Site/speaksvolumes.html">Bedroom Community Hvalur 001</a> (Nico Muhly <em>Speaks Volumes</em>).]]></content:encoded>
			<wfw:commentRss>http://nicomuhly.com/projects/2007/three-etudes-for-piano/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>A Hudson Cycle</title>
		<link>http://nicomuhly.com/projects/2007/a-hudson-cycle/</link>
		<comments>http://nicomuhly.com/projects/2007/a-hudson-cycle/#comments</comments>
		<pubDate>Tue, 15 May 2007 14:49:43 +0000</pubDate>
		<dc:creator>Nico</dc:creator>
				<category><![CDATA[Piano]]></category>
		<category><![CDATA[Projects]]></category>

		<guid isPermaLink="false">http://nicomuhly.com/projects/2007/a-hudson-cycle/</guid>
		<description><![CDATA[<em>A Hudson Cycle</em> was written as a wedding gift for two friends.  This is music of longing and anticipation; losing a beautiful place, approaching a beloved person.]]></description>
			<content:encoded><![CDATA[<em>A Hudson Cycle</em> was written as a wedding gift for two friends.  This is music of longing and anticipation; losing a beautiful place, approaching a beloved person.  The right hand and the left struggle to synchronise, now succeeding, now failing to coincide. The primary rhythmic figure"”a restless polyrhythm of two beats in the right hand for every three in the left"”should recall the onward rush of the titular river. - Program Notes Â© 2007 <a href="http://bedroomcommunity.net/Site/danieljohnson.html">Daniel Johnson</a>

<strong>Composer's Note:</strong> One of the worst things that can happen to you when you live in New York is that your friends get married and move away.  <em>A Hudson Cycle</em> is, while dedicated specifically to my friend Megan, dedicated also to everybody left behind.


<em>A Hudson Cycle</em> is recorded on <a href="http://bedroomcommunity.net/Site/speaksvolumes.html">Bedroom Community Hvalur 001</a> (Nico Muhly <em>Speaks Volumes</em>).

[audio:06 Hudson Cycle Excerpt.mp3]
Nico Muhly, piano

<a href='http://nicomuhly.com/wp-content/uploads/2007/05/tracking.jpg' title='Nico tracking A Hudson Cycle in Salurinn, KÃ³pavogur'><img src='http://nicomuhly.com/wp-content/uploads/2007/05/tracking.thumbnail.jpg' alt='Nico tracking A Hudson Cycle in Salurinn, KÃ³pavogur' /></a>

<small>Nico tracking <em>A Hudson Cycle</em> in <a href="http://www.salurinn.is/">Salurinn</a>, KÃ³pavogur</small>]]></content:encoded>
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		<slash:comments>7</slash:comments>
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