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	<title>Comments on: </title>
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	<link>http://nicomuhly.com/news/2009/1439/</link>
	<description>The official website of the New York-based composer Nico Muhly.</description>
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		<title>By: Rob Teehan</title>
		<link>http://nicomuhly.com/news/2009/1439/comment-page-1/#comment-9924</link>
		<dc:creator>Rob Teehan</dc:creator>
		<pubDate>Tue, 05 Jan 2010 05:20:46 +0000</pubDate>
		<guid isPermaLink="false">http://nicomuhly.com/?p=1439#comment-9924</guid>
		<description>Loving the JÃ³nsi track.  So joyful and beautiful. Can&#039;t wait to hear the rest.</description>
		<content:encoded><![CDATA[<p>Loving the JÃ³nsi track.  So joyful and beautiful. Can&#8217;t wait to hear the rest.</p>
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		<title>By: killian</title>
		<link>http://nicomuhly.com/news/2009/1439/comment-page-1/#comment-9922</link>
		<dc:creator>killian</dc:creator>
		<pubDate>Sun, 03 Jan 2010 12:38:32 +0000</pubDate>
		<guid isPermaLink="false">http://nicomuhly.com/?p=1439#comment-9922</guid>
		<description>Beautiful, beautiful, beautiful, in thought, word and deed. &quot;Itâ€™s a gate through which more modern musics pass, or a wall against which you lean to tie your shoes.&quot;  Thank you for framing a way for me to think about my artistic ancestors that seems to be more fruitful than anything I&#039;d conjured up over the years.</description>
		<content:encoded><![CDATA[<p>Beautiful, beautiful, beautiful, in thought, word and deed. &#8220;Itâ€™s a gate through which more modern musics pass, or a wall against which you lean to tie your shoes.&#8221;  Thank you for framing a way for me to think about my artistic ancestors that seems to be more fruitful than anything I&#8217;d conjured up over the years.</p>
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		<title>By: Helen</title>
		<link>http://nicomuhly.com/news/2009/1439/comment-page-1/#comment-9900</link>
		<dc:creator>Helen</dc:creator>
		<pubDate>Sun, 27 Dec 2009 06:14:45 +0000</pubDate>
		<guid isPermaLink="false">http://nicomuhly.com/?p=1439#comment-9900</guid>
		<description>Thats a great way to think about how much of comdern composition is-passing through the gates of classical and Romantic (and jazz, and various folk generes) to get to its sound, often times unaware.</description>
		<content:encoded><![CDATA[<p>Thats a great way to think about how much of comdern composition is-passing through the gates of classical and Romantic (and jazz, and various folk generes) to get to its sound, often times unaware.</p>
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	<item>
		<title>By: Hank</title>
		<link>http://nicomuhly.com/news/2009/1439/comment-page-1/#comment-9891</link>
		<dc:creator>Hank</dc:creator>
		<pubDate>Wed, 23 Dec 2009 15:45:19 +0000</pubDate>
		<guid isPermaLink="false">http://nicomuhly.com/?p=1439#comment-9891</guid>
		<description>This is pretty well-written.</description>
		<content:encoded><![CDATA[<p>This is pretty well-written.</p>
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	<item>
		<title>By: hester</title>
		<link>http://nicomuhly.com/news/2009/1439/comment-page-1/#comment-9888</link>
		<dc:creator>hester</dc:creator>
		<pubDate>Tue, 22 Dec 2009 15:19:23 +0000</pubDate>
		<guid isPermaLink="false">http://nicomuhly.com/?p=1439#comment-9888</guid>
		<description>nico, you are amazing. and i love the use of the word palimpsest in the figurative sense. 

i would think that referring to japanese people as &quot;the japanese&quot; is somewhat akin to a certain southern gentleman i knew, who would tell animated stories about &quot;the blacks&quot; and &quot;the gays.&quot;</description>
		<content:encoded><![CDATA[<p>nico, you are amazing. and i love the use of the word palimpsest in the figurative sense. </p>
<p>i would think that referring to japanese people as &#8220;the japanese&#8221; is somewhat akin to a certain southern gentleman i knew, who would tell animated stories about &#8220;the blacks&#8221; and &#8220;the gays.&#8221;</p>
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