But one of the great things about Steve Reich is the way he embraces the “flaws” in live realizations of his most mechanical process-music, e.g. the way the dirty timbre of the Six Organs complicates that piece and brings it to life. Korot’s Three Tales video doesn’t match up. It smacks of machine presets–like listening to the MIDI file of a string quartet instead of the real thing. All your ingenious counterpoint and motific development (and there’s certainly a lot of that in her libretto/visuals) ain’t worth a dang if it doesn’t have that nuance. Maybe she should go the Gann route, and get somebody to remix it for her?