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[audio:19 Robots_Cyborgs_Immortality Excerpt.mp3]
excerpt from Steve Reich Three Tales Act III
Ordering arimidex from canada, As is his wont, Steve Reich ends it in this weird modified six-four inversion, so you get the simultaneous feeling of resolution and suspense. This is a very effective technique for creating precisely the emotional ambiguities that works like Three Tales rely on. I have a hard time with this Opera. Its three acts (the first about the Hindenburg, the second about Bikini Atoll and the third about Clóning) are weirdly mis-balanced sonically "“ the first act is sort of stuck in this Pérotinny all-boys sound, the second is really lugubrious and anxious as we wait for the
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Here we areVoices
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The sin of Adam - in eating
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1 Comment
September 13th, 2007 at 6:51 pm
I have to agree re: Korot/Kid Pix. To be fair, I can’t help thinking that a live performance of Three Tales would be a heck of a lot better than watching it on my TV, where instead of a live performance with clever video accompaniment it’s a stiff video presentation with a Steve Reich soundtrack.
But one of the great things about Steve Reich is the way he embraces the “flaws” in live realizations of his most mechanical process-music, e.g. the way the dirty timbre of the Six Organs complicates that piece and brings it to life. Korot’s Three Tales video doesn’t match up. It smacks of machine presets–like listening to the MIDI file of a string quartet instead of the real thing. All your ingenious counterpoint and motific development (and there’s certainly a lot of that in her libretto/visuals) ain’t worth a dang if it doesn’t have that nuance. Maybe she should go the Gann route, and get somebody to remix it for her?